Wow. This was an undertaking. Where do I even begin? From the beginning, I suppose. Our starting point would be the moment I finished Infinite Possibilities, the first Sonic Forces special. At that point, I had literally no idea what would come next. I had the basic, rudimentary outline of what the next episode arc would be, and made that first special purely as a way to kick off that arc while simultaneously celebrating the release of Forces. I wrote it knowing that I would eventually have to explain how Blacklight became Infinite, but I figured, based on the “Phantom Ruby prototype” concept (which I only knew about because of the beta release of the mobile game, Sonic Forces Speed Battle) that it wouldn’t be too much of a stretch to explain later that Eggman simply made another fake, if all else failed.
Unrelated to that train of thought, a little while after the game came out, I was accidentally spoiled by a single name. “Null Space.” I had no idea what it was, or what its role was in the game (though the spoiler in question did contain the statement that it was underused in the plot). I knew at that moment that I had found my connection between Sonic Forces and my story. From the beginning, back when I wrote the final episode of the Birth of Blacklight arc, I specifically left one very vague statement at the end. “He is safely hidden away.” On one hand, I actually hadn’t yet put the thought into where exactly that hiding place would be, as I knew that I had the whole Dawn of Chaos arc in the middle to think of a good location to kick off this new arc (originally, the location of Sonic’s fight in what would become the first Forces special was supposed to be that hiding spot, he was supposed to see Blacklight getting woken up). On the other hand, the imminent release of Forces was in the back of my mind, and I had a pretty good feeling at that point that it would coincide with the beginning of this new arc. I saw an opportunity to connect them, so I decided that a great way to do so would be to make that hiding place an important location from Forces itself. So when I saw the words “Null Space,” what I saw was something that could almost certainly be the exact place I was looking for to bring this all together. The decision to make Blacklight into Infinite was entirely separate, so when I actually played the game for myself, and learned that Null Space was so intrinsically related to the Phantom Ruby and Infinite, I was almost giddy. The connection wasn’t just there, it was perfect.
One other spoiler I accidentally got was a snapshot of the final scene before the credits, all the characters cheering in front of what I later learned was the Eggman Empire Fortress. By that point, I had already learned quite a bit about Infinite as a character, between the prequel comics, the trailers, and my own attempt with Blacklight-Infinite. I had grown very attached to him. I thought that the face under his mask was…well, sort of adorable. Maybe handsome would be a better word. Either way, I liked him. I wanted to see that guy be happy. So I started planning for a redemption story. I wanted him to come crawling back at the moment of that snapshot I saw, begging for forgiveness, warning of some greater threat. I wanted he and the Avatar to become good friends, for the Avatar to truly show him the way back to heroism. Sound familiar? Bcause that’s pretty much exactly what I ended up writing…up to the last three minutes or so. More on that in a moment.
After I played the game, things just kept falling into place. The “Fading World” background song for Imperial Tower (that level was a great experience, by the way) implied that the Ruby prototype was calling to the Avatar’s dark emotions, helping to justify Infinite’s being a better person without it. Infinite disappeared towards the end of the story, without a clear end, without any serious character resolution. Best of all (or worst, from any standpoint other than mine as a writer) Eggman didn’t even use the real Ruby! He used Infinite’s prototype! (At least, I’m 90% sure on that. It wasn’t extremely clear, and I’ve seen some debate about it.) All of the pieces lined up into a perfect puzzle, where the Phantom Ruby itself could be framed as the true final villain, Infinite would have perfect reason to be the necessary exposition to explain that, and could be truly redeemed from there. I explained some of the basics of my ideas to my brother and fellow writer, Yuni Oha. He was skeptical. He didn’t really see redemption as a reasonable option, because Infinite was so darned evil in the real story. I argued back that his one blue eye was meant to show that he still had some good in him, and he just tried to cover it up with the mask. He countered that everything I said may make for a good excuse, after the fact, of why I did it, but none of it makes for a proper reason to make it happen in the first place. Not long later, the full Sonic Forces soundtrack was released. After he listened to Infinite’s full theme for the first time, he begged me not redeem him. And, after some further discussion, I was convinced. No more redemption for Infinite. Problem was, I’d already planned such a full and complex story to write, that heavily depended on Infinite as a character. In fact, I still started writing this episode less than 24 hours after that. So I thought…Let’s fake it! More specifically, let’s help out Infinite’s character in a different way. Let’s see him at his lowest, see him show a level of caring that we haven’t seen before, give all of us a reason to care about him as a person, even as he stays evil to the end. I was still able to write a fundamentally similar story, just with an added moment of extra drama right at the end. But that still left one problem. If Infinite is still Infinite, how can Blacklight become Infinite? In order to answer that question, I ended up coming up with a much better concluding scene than I was originally planning. “Better” being a relative term. Because it was kind of sad for me, going through all that work to bring Infinite back to power, only to take it away from him. But at that point, the first Forces special had been out there for well over a month, and it was absolutely necessary that Blacklight become the primary problem. I needed to write myself out of that hole with that scene. And it was a good scene, sudden and unexpected, but disappointing from Infinite’s perspective all the same.
So, what else is there to talk about? I ended up writing this episode with the thought in mind to make it as easy as possible to read for someone who’s never read any part of the rest of the series before, partly because Yuni said he wanted to read it after the Infinite conversation we had, and partly just because, as a direct insert into Sonic Forces, direct connections to the rest of my story weren’t really all that necessary. That’s why I didn’t actually name Lt. Alfred when he was voicing over at the beginning, why I had him give a brief synopsis of the Birth of Blacklight arc in the first place.
The design and concept of the Phantom Nightmare was something that came to me quickly and easily. After all the buildup with the Replicas, you only ended up fighting half of them in the final game, and even then they never really did anything. Plus, it was something Yuni and I had been talking about long before the game came out, that all four of the advertised Replicas had some manner of Super Form. It was a logical step to give them all a purpose, while creating an opponent worthy of Super Sonic. With the Ruby’s illusionary powers, fusing them all together into a single monster seemed like a logical extreme. The addition of Heavy King was something that I was debating at first, but in the end I decided that anything that gives Classic Sonic a reason to exist is a good thing. (That one line, “This was never your fight,” was a stab at the fact that Classic Sonic didn’t even belong in this game). I also debated using Titanic Monarch instead of Phantom King as the Heavy King’s “Super Form,” but I was convinced that it just couldn’t properly be justified at this time. Originally, I was planning on having the Phantom Nightmare simply tear out of Null Space right from the get-go. But Yuni, once again, convinced me to have a clear scene where each of the Replicas transform before fusing, just to make it clear what’s really happening.
Let’s see, what else? I was glad to give an excuse to exclude Shadow and Silver from this Super fight, where Generations DIDN’T EVEN BOTHER. *Ahem* Sorry, that’s just a thing that bothers me.
The Avatar’s character arc is something that most people would say Forces did relatively well, especially compared to most recent Sonic games. But I knew that it could use a little extra something. The Avatar grew from point A to point B, which was good. But any good character development arc requires a moment of reflection. A moment where a question is posed, and resolutely answered, of how valid that development was. Speaking of the Avatar, his new little Wisp friend is something that came to me sort of randomly, but I thought it would be good for him to have someone he could call a partner, even when he’s out there alone.
Well, there’s more I could probably say, but I think this has gone on long enough. But rest assured. This is not the last you’ve seen of Infinite or the Avatar.
-And before I say goodbye to you, one more last fist bump!
(For real this time, last one, I promise.)