Yeah, I’ve been holding out on this for a while, even though it’s the whole reason I started these reviews in the first place. This game…was something. And I’m honestly not going to be sure what something means until I’ve finished writing here. When I first finished the game, I was unsure of what to think, and while my opinions have solidified a little more since then, I was hoping to have a better idea by now. So here we go—even I don’t know where.
So I’ve been talking a lot about how the purpose of this story is to explain what would have happened if Shadow had stuck to the dark path. I’ve also mentioned a surprise twist, which is another big part of the inspiration. But there’s something else that I haven’t really talked about. I suppose it’s less inspiration and more opportunity, but one of my goals with this story is to tie everything together. People complain about the story of Shadow the Hedgehog being disjointed and confusing, and yet each individual part is missing far too much information. Even though this isn’t the canon story of Shadow, the idea is to take concepts from all of the different stories and beyond, to create one fluid tale of the path to darkness. This required me to break the traditional level order, and have Central City come after the dark mission of The Doom. This story will be a full tour of all of the most evil things Shadow had a chance to do, so this isn’t the first time you’ll be seeing broken level order. But this is about more than levels. It’s even about more than creating a seamless story between the levels. There’s also the characters. Part of the problem with the original Shadow the Hedgehog is that you were often introduced to “important” characters who you never end up seeing again. I don’t want that to be the case here. If you meet a character, you can be assured that that character will get a full resolution. For many characters, this means writing entire scenes that did not exist in the original. Just wait until you see what happens to the President…
And now, a chronicle of changes between this story and the original.
1. Shadow has a flashback to Sonic Adventure 2 during The Doom, which inspires him to protect Maria at all costs, and causing him to complete the dark mission. As a result, the Maria of Shadow’s memories becomes afraid of him, and flees.
2. Back in Sonic Adventure 2, the first real change happened. Instead of letting Shadow fall, Sonic attempted to rescue him. This memory becomes the catalyst for all of Shadow’s future actions.
3. Change in level order, The Doom dark mission leads to Central City.
4. Additional scene in which Shadow is introduced to his own personal army by Black Doom.
5. Shadow must “ensure that the bombs detonate” rather than “detonate the bombs.” We don’t really want Shadow to be standing in the middle of the city next to a “City Annihilator Bomb” when it goes off. That would be bad.
6. Knuckles is critically injured by one of the bombs.
7. The Commander shatters the President’s photograph. (This is a big one, one of many powerfully symbolic events that are used to tie the story together.) In said photograph, Sonic’s arms are wrapped in white bandages. Now why would that be?
8. The executive office is destroyed by the bombs; Shadow is standing somewhere else when ordered to go to the Air Fleet. He uses Chaos Control by his own will to get there.
I suppose I forgot to mention those symbols. Generally, they didn’t exist in the original, but they’re so perfect, and the existing story makes them so easy, that I just keep finding more and more. The story is full of lots other literary techniques as well, with a focus on symbolism and irony, if you know how to look for them. As a whole, I feel like it’s been making this story feel a lot more enriching, and, to a certain degree, professional. So please, enjoy the deep complexities that this story has to offer. By the way, have you figure out the surprise twist yet? Some serious hints were dropped in part 2, and by part 3 you’ll have everything you need to know.
-So, until next time…live and learn every day!
(I wanted to do an “Almost Dead” pun, but I wasn’t really feeling it.)
I almost cried. I literally almost cried.
Shadow in Sonic Forces has been a bit of a rollercoaster ride for me. When he first appeared in gameplay footage for Sunset/City Heights, I was very, very excited. When the Villains trailer dropped the next day, the hype died quite a bit as I learned that Shadow was a villain, but I was still craving an answer as to why, far more so than I cared for Infinite at the time. When Enter Infinite came along, I shoved Shadow aside and never turned back, as I was far more interested in Infinite after that. I was accepting, if not satisfied, of the fact that Shadow would do whatever the heck Shadow does, and we would still get an interesting character out of Infinite either way. As we learned that Infinite is just another creation of Eggman’s, I became a bit less interested, but then this happened. I suppose I should post that last video as well. (Edit: Official English version.)
That’s all very interesting, and I’m excited for the story, but we’re talking about Shadow right now. Shadow who stood back and watched while Infinite beat Sonic to the ground. Shadow who didn’t even appear in the above story trailer. Shadow who, after Sonic Boom, had me very, very afraid for what Sonic developers really thought of him. But all of that changes now. Free DLC for all players, which includes a new playable character and 3 prequel levels to go with him (besides the “over 10 Modern Sonic-based stages” he can also play in) as well as a new side of the story. Story! I say it a lot, and I mean it! Supposedly, these new levels chronicle the fate of Team Dark (apparently that’s now an official term outside of the comics) and teach the player about the true nature and origin of Infinite. That is really exciting.
But that does bring up some concerns. Are they seriously telling me that you don’t actually learn about Infinite’s origin in the actual main game? If so, that’s a pretty bad sign for the game’s plot as a whole. I’m glad that they’re telling us at all (that’s more than we got for Lost World), but a story with a powerful villain who never gets an explanation in the main story sounds a bit lackluster. Additionally, that seems to confirm that Rouge and Omega don’t appear in any significant role in the main story, which isn’t necessarily bad, but removes the possibility of some good character interactions that could have gone on with Shadow.
And…there’s something else I haven’t mentioned yet. Even though I’ve been waiting to play as Shadow again for the last ten years, this isn’t exactly what I was hoping for in terms of gameplay. I was kind of hoping that I would never have to see Shadow in 2D. There goes that. And canonically giving Shadow Boost gameplay severely, severely decreases any future chances of him playing in the Adventure style in any future games where they might choose to bring back separate playstyles. The level design that they just showed us…looks okay at best. If they wanted to get us hyped, they should have cut the footage time in half and showed us 3D gameplay instead. Unless…Shadow is almost all 2D. *shivers* I don’t really want to think about that. But these days, who knows? Seeing as Shadow, unlike Sonic and the Custom Hero alike, has only ever appeared in 3D, it seems like this would be the correct opportunity to make Shadow’s levels, like the tag team ones, entirely in 3D (guess I never talked about tag team on this site either. Gameplay style looks like a fun changeup, all-3D levels looks and sounds very nice.). Anyways, I’m sad that it had to happen this way, but I’m thrilled that it’s happening at all. After ten years, Shadow finally gets his chance to shine. Let’s hope that Kirk Thornton doesn’t screw this up too badly.
-Until next time, let’s hope we won’t be losing Shadow before long.
As I mentioned on the footnote of Shadow of Time, I published it to celebrate something very special to me. For the first time in my near-15 year experience with Sonic games, I can finally call myself an expert at one of them. I completed Shadow the Hedgehog’s “Expert Mode” (with 90 lives to spare at that. Thanks, chicken gun.), a feat which I assume most players never even get the chance to attempt. (Just a few days later, I finally got the seventh Chaos Emerald and experienced the final boss for the first time in Sonic Heroes. This has been a really good week for me.) Anyways, in working towards getting an A-rank on every single mission of the game, I got an excellent chance to really analyze its core gameplay elements, while, writing for Shadow of Time, I’ve gotten an equally appropriate chance to analyze the story. Normally, I wouldn’t want to review a game that I first started playing over a decade ago, but these are special circumstances. Additionally, with Mania done and Forces on the way, I am interested in establishing a baseline of comparison between classic games, Adventure-style games, and modern games. Now, since this game came out 12 years ago, it would be unfair of me to compare it directly to modern games (unlike Sonic Mania, which came out last month). So, most comparisons will be made to Sonic Heroes and other Adventure-era games. So, without further ado, let us begin.
Keep in mind, this is the review for the first episode of the Dawn of Chaos arc, published (oh dear Lords of Chaos help me) 43 days ago. Let’s make a deal. I’m going to publish the next episode within the next two weeks, no matter how little I get done in that time. You have to hold me to that! Writing this arc is just as troublesome as it was last time we touched bases, but hopefully this will encourage me to finish something by that time. Anyways…
Chaos has dawned. I’ve been noticing a trend that involves me focusing on a new component of writing with the first episode of each new arc. While I wasn’t planning anything this time around, I ended up emphasizing pretty heavily the friendly banter that goes on between the characters, which I’m pretty happy with. I suppose this is probably the most “normal” of all the Sonic game ideas I’m using, as if you could use the word to describe a Sonic game. Everything else I do tends to be more on the mold-breaking side, focusing on unusual characters and topics. But this time around, it’s about Sonic and his closest friends, involved in a relatively normal adventure, giving me more time and motivation to focus on those pre-existing relationships. I didn’t mean for the opening scene to be reminiscent of the first scene of Lost World (technically the general idea was planned for before Lost World even came out), but there are definitely some clear similarities, and I suppose that emphasizes the whole “normal” thing. Of course, I think I did it better. I suppose I can also mention about writing style that I was trying to invoke the idea of a horror film when describing the movements of the mysterious blob of light.
This is probably the most reference-filled episode I’ve ever made, embracing about 17 years of history. Hopefully the references to Sonic 3 &/or Knuckles were obvious, between the Hidden Palace Zone and Sonic’s references to the day he and Knuckles met. There was also talk about Sonic’s previous Birthday party, a reference to the events of Sonic Generations. There was Sonic Adventure 2 with the references to fake Chaos Emeralds, as well as Sonic’s mention of when Knuckles popped out of a sewer. Sonic Adventure with the chant of the Master Emerald and references to Perfect Chaos (the dragon destined to destroy the world). But I’ve passed over an important point here. Sonic’s Birthday! Happy Birthday, Sonic! Now, Sonic has technically never been given an official, canon birth date before. However, it is generally accepted that his Birthday is on June 23rd, the day the original Sonic the Hedgehog 1 came out. This is the first of many characters who will be receiving birth dates in the story. Anyways, making this episode take place on Sonic’s Birthday was completely unplanned. I came in knowing that it would be during summer, and that’s about it. I was throwing around a few random dates, and one of them just happened to be June 23rd, before I realized what that meant. I was going to throw it out, but then I started thinking about the fact that my current publishing schedule would put me pretty close to that exact date. I looked at a calendar, and realized that it would theoretically be exactly one day after. I decided it was too perfect to ignore, so I adapted what I had into a makeshift anniversary episode. Not just an anniversary of Sonic, but an anniversary of the Chaos Project as well. I published the very first episode exactly one year before I published this one, on the day of Sonic’s 25th celebration last year (the buzzing still haunts my dreams). Which makes this the Birthday not just of Sonic the Hedgehog, but also Chaos the Hedgehog, both in-universe and out. That actually has some pretty interesting story implications for the future…
Coming back to the original point I was trying to make, this episode contains the first major references I’ve made to the entire Classic era, not counting a few vague references to CD. As I said, my goal in this story is to embrace all of Sonic’s mainstream video game history, and that includes the classic games. I’ve seen theories before relating to the meaning of the Hidden Palace mural, but it’s always been a supporting part of my Controller idea/theory, and I’m glad to finally show that in the story. Knuckles’ explanation that the Controller is usually interpreted as referring to the Master Emerald is actually something I realized had to be said while doing some research into Tikal for her appearance in the last arc. Apparently, I had forgotten that she had specifically figured out the Master Emerald was the Controller named in the chant. When Sonic said that didn’t make any sense in this episode, that might as well have been me talking, as I agree that it doesn’t make much sense. I’ve certainly never seen the Master Emerald “unify” Chaos before. Anyways, bringing the canon of the old games into the new games felt like good way to celebrate Sonic’s history for his anniversary.
This is a scene I had planned since pretty much the very first conceptualization of the Birth of Blacklight arc. I’ve mentioned before that part of the idea with this arc was to fill in the empty space between when Shadow was launched from the arc and when he was found on Prison Island. This scene was supposed to be a big part of that. In the story I’ve directly told, there was no clear explanation of how Shadow’s pod ended up in the hands of GUN, only an inference made in Alfred’s final note to Shadow. Writing that note was actually a little awkward, because I originally planned it to be built off of this scene. The reason I didn’t end up placing this scene in the original story is because, as I was getting up to the point where it would have been in the story, I decided that I needed to have a moment where Alfred realizes his mistakes before the alleged final battle, so that he could be there to help before real final battle started. So, I wrote the second major scene of that episode, where Alfred tries to tackle Shadow before being told that Blacklight holds Maria captive. theoretically, this deleted scene would have come chronologically right after that. But, if you pay close attention, you’ll notice that this scene has a lot of similar themes and ideas as that one, so it would have been almost like showing the same scene twice in a row, distracting from the battle at hand. So, I deleted it. But, after it was all said and done, I realized, as I wrote in the episode review, that the overarching theme of humanity betraying Shadow got a little bit lost. This scene was supposed to be the beginning of a resolution to that theme, but I deleted it! So, I decided to write the scene anyways, and post it here as bonus content for you. Enjoy!
March 21st, 42 B.E.
Somewhere East of Research Facility EDEN
Approximate Placement: Season 0, Episode 18
“Hold it right there!” Shadow stops as he hears the unmistakable shout of a soldier, and the clatter of a raising gun. Slowly, he turns to look at the soldier. “I-I said freeze! Don’t move! I know what you are!”
Shadow freezes again as he hears the words and lays eyes on the soldier. His uniform closely resembles that of the GUN soldiers once seen aboard the ARK, with a lighter brown coloring. A few locks of silver hair hang out from his helmet, covering parts of his otherwise boyish face, revealing him to be no older than 18. Most surprisingly, his right eye is a dark maroon-red, while his left is a bright cyan-green. He points a rifle directly at Shadow. Shadow answers slowly, “I know who you are as well, Commander…” Shadow looks more closely at the few decorations that the soldier wears, which he is clearly able to read. “…or should I say, Lieutenant?”
The soon-to-be Commander, now Lieutenant, doesn’t seem to hear or care about what Shadow says. “When I heard the call, I knew it had to be you! I knew you would have to turn up eventually!” Shadow tries to take a slow step towards him, but he jabs the rifle forwards to keep him back. An odd rattling sound can be heard. “You’re Project: Shadow. You’re the one who killed everyone on the ARK! You’re the one who killed Maria! But I survived! And I’ve been preparing for this moment for ten years!” The rattling grows louder.
Shadow stares at the rifle emitting the sound, held in the Lieutenant’s trembling hands. Shadow shakes his head. “I don’t have time for this.” He starts rapidly marching towards the soldier.
The Lieutenant jabs the weapon forwards again. “Stay back, o-or I’ll shoot!”
Shadow doesn’t relent. “One day, a long time from now, you will get the guts to pull that trigger. But not today.” Shadow grabs the muzzle of the gun, rips it from the soldier’s hands, and flings it aside. The Lieutenant starts to step back in fear, now trembling all over. Shadow keeps pace with him. “Blacklight was right. Humans have a hard time dealing with things they don’t understand in any way other than violence. They have a hard time learning. But you will learn. And so will they, no matter how long it takes.” He stops walking. “Don’t worry. You will see me again.” He turns and starts to walk away, as the Lieutenant drops to his hands and knees.
Even overcome by fear, staring at the floor, the soldier shouts, “Come back here, Shadow! I’m not finished with you yet!”
Shadow stops one last time. “I didn’t kill Maria. I couldn’t save her, maybe that was my fault. But I didn’t kill her.” He thinks for another moment. “You’ll find me unconscious in a stasis pod, in the basement of a research facility not far from here. It’s password protected, so you won’t be able to open it. Make sure you’re the one who finds it, or you won’t be let in on the secret, no matter how high in the ranks you go.” With that business settled, Shadow continues with his exit, off towards the place where Blacklight waits with Maria, prepared for their final confrontation.
I hope what I said up there makes a little more sense now. The same essential idea of Shadow confronting someone who doesn’t like him, but leaving for lack of time, trying to convince them of their error as he goes exists in both scene. The other scene was more important for immediate plot resolution, but this one was important for resolution of the overarching themes of the story. It’s this encounter that puts the idea in Shadow’s head that humans, even if slow to learn, can learn, which is what convinces him in the end that Blacklight is wrong.
In other news, I would like to apologize for the lack of activity recently. I simply haven’t had as much time to type as I would have wanted, and the Dawn of Chaos arc is giving me a lot of trouble on top of that. Over the next few weeks, look out for a new page on the site, as well as the review for the first epsiode of Dawn of Chaos, the anniversary special. (Wow, it’s been over a month since I published that.) Hopefully, it shouldn’t be long after that that the next episode is published.
-Until then, remember to live and learn every day!
Another new reveal!
Certainly an enigmatic introduction. First of all, I’ve been hearing this character called “Infinite” since day one of his reveal, even though I have no idea where that name could have come from. Well, however it was known, it is correct. His voice sounds vaguely familiar, but I can’t put my finger on it. One of the first things I noticed was the quality of the game-rendered cutscene, this being the first we’ve seen from this game. I think it kind of hit that uncanny curve for me. It looked good enough that the flaws that existed were really strongly emphasized in my perception, so the whole thing came out looking a little weird. And the colors all looked a little bright considering the darker tone of the scene, but it would make sense that I would think that having just recently spent a lot of time playing and watching Shadow the Hedgehog. On the positive side, the usage of black-and-white certainly suggests flashbacks, which can be a very strong indicator of a good story. I have nothing more than trivial complaints, but those are far outweighed by the actual story! The initial reveal of this character made him seem more like a force of nature than a character, but this scene starts to suggest otherwise. And speaking of character, he has a character theme.
What the scene suggests, this song shouts at your face. And I love it. It is no longer a question of if, but how deep they are willing to go with his story. “I was born with this pain, it only hurts if you let it.” Sounds like the answer is “pretty deep.” I also note the implication of an eventual, final, one-on-one confrontation between Infinite and his enemy, presumably Sonic. “Who is gonna save you now?” Does this mean that Sonic’s friends will meet with a terrible fate? Or perhaps that he can’t really trust them? Could the Hero character actually be a traitor? Or in a surprise twist, could Infinite actually be talking to Hero, not Sonic? And that’s just the lyrics.
The song itself is…wow. Fist Bump disappointed a bit, but this absolutely did not. The initial tune is catchy in and of itself, but the moment when the guitar starts was just so exciting for me. The directness of lines, like with Fist Bump, was a little jarring, but in this case I feel it was executed a lot better, in addition to being more worth it for telling the story of the character. I suppose even Eggman’s theme from Adventure 2 didn’t execute the direct, first person song quite as well. Speaking of which, I have no way of knowing for certain, but I feel like I can hear Jun Senoue’s contribution to this composition, as it reminds me quite a lot of his work in Shadow the Hedgehog. Now I might be a little blinded by all the excitement right now, but, balancing that with nostalgia from long ago, I can confidently put this in my top five favorite Sonic songs of all time. And that’s all I can say for now.
-So until next time, remember what it takes to be Infinite.
I meant to post this last week, but I guess it just slipped my mind. Oh well, I guess that means more weeks worth of filler content while we wait for Forces. Keep in mind, this for the finale of the Birth of Blacklight arc, not the premiere of the Dawn of Chaos arc that was published 5 days later.
Since this was supposed to be a part of the last episode, I have a lot less to say. The first thing that comes to mind is how I wanted Shadow’s temporal displacement to be resolved. The way I saw, from the moment I had parallel-Sonic mention the one-way nature of the time machine, I had three options. The first was, as actually happened, to come up with some new convoluted means of time-travel. The second was also quite an enticing option, which was still referenced in the end. I considered having Shadow be put back in a stasis pod alongside Blacklight, spend another 40 years unconscious, to be awoken only when Blacklight is awoken as well. I was very much intrigued by the thought of having the two end with the same fate, and having Shadow dedicate himself solely to the task of protecting the world from his doppelganger. It would also be a nice, convenient way to exclude Shadow from the next story arc, not being reawoken until the following one. Making that choice would have required me to remove Maria from the equation, however, as she would have no means of returning home, and I think that would have taken away too much from the rest of the story to be worth it. There would have been a couple other minor problems as well.
The third option is actually what I was originally planning on doing. That would be to introduce a new Chaos-wielding character who could use Chaos Control to open another rift with Shadow. I had already conceptualized this character’s basic characteristics, personality, abilities, and even the dynamic he would have with Shadow. But then I started planning more specifically for Shadow’s first few interactions with Blacklight, and there ended being no good place to introduce an extra character before they had made their first time jump together, cutting out half of my chances. I suppose I could have altered his story to make him come from another time period instead, but I feel that would have ruined too much of what I had planned for him. And besides, by that point, I had decided that introducing another character that late in would seem silly, and take too much focus off of Shadow and Blacklight. This guy would be a “minor” character, he wouldn’t even get a sprite for this website. Anything I could do with him from that point would seem like a silly contrivance, like he’s only there because he has to be. Anyways, this guy hasn’t been forgotten about just yet, as he’ll certainly get a proper introduction later in the series. But even now, remnants of his existence can still be found. Gerald’s story in Shadow’s dream/flashback referred to this very character.
Speaking of that sequence, it was a reference to more than just the past and the future of this series. Some readers may recall from Cast by the Light, my Sonic Adventure 2 novelization, that I added a look into Shadow’s thoughts immediately after his final loss to Sonic aboard the ARK. His thought: “what is it about him…that allows him to fight me…to fight like me? Could it be…what the Professor told me about?” What the Professor told Shadow about was this very story, the story of the Controller.
I tried to make it as obvious as possible, but I should confirm that the realm in which Shadow and Blacklight faced each other for the final time is the very same place seen in a vision by all three hedgehogs in the premiere of Crisis of Chaos. This wasn’t something I was originally planning, and so I had to do a little bit of working around the fact that Shadow didn’t behave as if he had already been there when he saw it in that premiere. His specific statement was explained by Blacklight’s line in this episode, “Heck if I know.” Shadow doesn’t necessarily not recognize the realm, but, with his newfound learnings under Chaos, he is realizing for the first time what the energies are that he asked Blacklight about in this episode.
Lastly, I want to mention the meaning of the password, “MARIA.” As you may recall from Sonic Adventure 2 and/or Cast by the Light, that was the very same password which Eggman had to use to wake up Shadow from his pod. It never made sense to me that this was the case. If the military found Shadow and sealed him in a stasis pod, why did they seal it with a password that means nothing to them? Now, I’ve seen a few possible explanations, but none of them quite make perfect sense. When I first scheduled this arc to be written, all I knew is that it would be the introduction to Blacklight. I already had the framework of his backstory in mind, that Gerald’s son created him in an attempt to perfect the Ultimate Life Form after its initial failure. In building upon that backstory into this story arc, my central idea was to use this opportunity to fill in the blanks between Maria launching Shadow’s escape pod, and the military having Shadow safely sealed away. In light of everything else that happened during this arc, that original, core idea almost got lost. But in the end, I wanted to make sure that the original password problem wasn’t forgotten. The final explanation: Alfred found Shadow’s escape pod, and transferred him to a stasis pod sealed by a password of his own daughter’s name. The military obtained this pod, but never managed to change the password. There’s an interesting little note about how the military found Shadow’s pod, but I’m going to have to ask you to stay tuned for that answer.
-So, until next time, remember to live and learn every day!
Well…I lost count after two months spent writing this episode, though I’m pretty sure it came close to three. Between the Holiday Season (Thanksgiving as well as winter) and a general increased work load that I had to deal with, I practically wrote this entire episode one paragraph at a time. Hopefully that didn’t mess up the flow too badly. This also marks the lengthiest episode yet at 8600 words, even more than the last finale. But, as with last time, I wanted nothing important left unsaid, and I didn’t want to split it into any more episodes. But enough about that boring stuff.
I promised some background for King, so I guess I’ll start with that. He started out as just about the most flat, unoriginal villain that could ever exist. He’s only there because I needed our superhero to face off against a villain. As for what he would do and how he would do it, I took some inspiration from various depictions of Marvel Comics’ Kingpin villain, and the naming is not unrelated. To be honest, I really had no idea what I was doing. But as I was writing King’s first scene, I first decided to hide his face, make it seem more menacing, like Shadow had a real reason to be so concerned with him. I was still unsure at that point whether or not I wanted to make King a real wolf, but I decided last second to give him a mechanical arm that he constructed himself, so that I wouldn’t have to make that decision and reveal his species right then and there, as well as to show off some of his engineering skills that had been talked about at that point, but not very well shown. (I decided for certain that he would be a wolf by the time the scene was over.) The rest of his character grew from there. I was able to expand just from that one scene that he is obsessed with his own technology and its perfection over biology, that he has a loathing for most humans, and that he was affected in a deeply personal manner by the Black Arms invasion (and Shadow by extension). The specifics came as time went on.
I suppose one other point from this episode to mention is the role that G.U.N. has been playing so far, an almost antagonistic one. The reason why I’m revealing all of these facts seeming to suggest that they’re corrupt and untrustworthy…I suppose it’s all rooted in the fact that they have played so many similar roles in the past, despite supposedly being a force for good. In both Sonic Adventure 2 and Shadow the Hedgehog, G.U.N. hurt you a whole lot more than they help you, despite being the hero. Sonic 06 is the only G.U.N. appearance that seems to be completely benevolent, and even then I always felt that it seemed a little shady how they seemed to be stealing the Scepter of Darkness more than they were “retrieving” it. Anyways, after all of the times that G.U.N. nearly killed Sonic and/or Shadow, it certainly seems reasonable to me that neither of those two would be particularly interested in working with them, which is why it surprised me a little bit to learn that Shadow was working for G.U.N. for the first time. But I think I got it to work in a way that all makes sense. Point is, after making so many questionable actions, it would’ve seemed wrong to me to make them completely in the right now. So, I thought it would make for good story for all of the characters involved to have a lot of friction between them. Of course, this little sub-plot of G.U.N.’s evolution is far from over. Speaking of G.U.N. and Sonic 06, there was one ridiculously obscure reference I threw in there at the last moment. Rouge mentioned how she had to be trained in hacking King technology by “Old Frances from the decryption unit.” This refers to one of the Town Mission NPCs from that game, who introduced herself as the head of the G.U.N. Decryption Unit, and wanted to test the player’s IQ for candidacy to join the unit. This reference was not in the original episode, but I added it just before publishing, because these random obscure references to other games is exactly the kind of thing I want to use in order to help tie the whole Sonic game universe together.
Now, there’s one big thing I haven’t talked about yet. The Black Cloak arc is inspired by a theoretical game idea, just like all of the others of Season 0. Of course, this is the only arc that I didn’t conceptualize until after coming up with the whole Season 0 idea, but I still made it to fit in with the rest. Anyways, this, like many other Sonic games, would be much different as compared to previous ones. Rather than an adventure game, or a high-speed platformer, this game would function a lot more like…well, a superhero game. The number of “levels” as compared to most Sonic games would be relatively few, but that’s because a vast majority of the game’s content comes in the form of a huge hub world, that of Westopolis. Between levels, the player would be allowed to freely explore the city, playing as either Sonic, Rouge, or Black Cloak, depending on the point in the story. This hub world would be full of various NPCs to speak with (not unlike 06), and missions to complete, such as the fighting of randomized crimes including robberies, muggings, etc, as well as specific quests provided by some of those random NPCs, in addition to a few familiar faces (helping Big find Froggy, anyone?) Anyways, each character has their own advantages for playing. Sonic travels through the world the fastest, obviously, and can get on top of most buildings using wall jump and parkour. Rouge can fly and climb walls, giving her complete access to every location, though she is the slowest of the three. Black Cloak is the best for fighting, dealing more damage and having a wide variety of attacks, including long-ranged ones. His other tools, such as the grappling gun, are also useful for reaching difficult areas. In addition to these, certain NPCs might only be able to interact with certain characters and not others, encouraging variety. For example, a police officer might only be willing to speak with Rouge, while a serious opposer to King might only be willing to speak to Black Cloak, and…the owner of the hotel Sonic stayed in might only be willing to speak to Sonic. Speaking of the hotel, this game would also theoretically feature the return of Chao Gardens, seen at the top floor of that hotel. (I have found myself wishing that this location had more impact on the actual story, but once I was done with it I had no further need for it except in these silly game mechanics.) Anyways, unlocked by beating the game is the ability to switch between characters in the hub world freely, in addition to a few more of those less-than-totally-canon quests for familiar faces. The only other thing to point out about the game would be the soundtrack, focused heavily on more dramatic orchestrated music, much in the style of modern superhero movies. Much of this music would be dedicated to remixes of themes from Shadow the Hedgehog, and, to a lesser extent, Sonic Adventure 2. And…I suppose that’s all I have to say for now.
Next time, witness the tale of the one called Sunlight, the New Ultimate Life Form. What is this life form, and why has its existence been kept a secret? Soon, Darkness will fall upon the Light.